There was a blizzard of headlines last week about Donald Trump’s First 100 Days in office. As an ethicist and a pastor, I’m less interested in Trump’s attitudes and actions (which the media is analyzing nonstop, from all angles, as rapidly as they can). I’m more interested in the question: What Did you Do with Your First 100 Days?
Many of us, in the weeks after November 8, tried to vision these First 100 Days. Who we are and who we’d become in the shift of power. Many of us, like the media, are still in reactive mode, treading through headlines to stay afloat.
But time has passed, and we have changed. Who have we become? In my own congregation, the election jolted us to life. When I think of the first 100 days, I think of what we’ve done together. Continue reading
Most Christians never question where the palms on Palm Sunday come from. It never occurred to me, until my first year pastoring, that someone had to get the palms (and order them well in advance). But as we approach Palm Sunday, we ought to reexamine our theology of palms.
Traditional (read: conventionally harvested) palms are shipped from a handful of countries including Guatemala, Mexico, and Belize. But because palm harvesters are paid by the number of palms, not the quality of them, the most efficient way to get palms is also the most destructive. Cutting as many leaves as possible from each tree damages the trees and the long-term sustainability of palm trees. Not only that, but palm trees grow in the shade of forests, and so sustainably-harvested palms support both the palms and the wider forest preservation efforts. Such noble organizations as the Rainforest Alliance have promoted the eco-palm movement.
Director/writer Jordan Peele calls his film Get Out a “social thriller,” and if you’re like me, your newsfeed has been saturated with tasteful Vaguebooking about the film. But Get Out can be described, with equal accuracy and without spoilers, as a “contemporary apocalypse.” Apocalypse has become Hollywood shorthand for the highest possible stakes of an action sequence–any film that uses the destruction of all human life as a plot device. But in the traditional sense, apocalypse represents an entirely different genre of literature.
Classical apocalypse has less to do with annihilation than regime change. The Greek word apokalypsis means revelation, or uncovering. it’s a genre of literature–much like horror.
I was terrified at “meet my parents.”
Get Out is a social thriller in the sense that it uses social evil (racism) to heighten an otherwise traditional horror film. I’d be lying if I said I didn’t spend 15 minutes with my hands over my eyes (but I only see four movies a year and have a low tolerance for visual violence so don’t listen to my definition of scary). A black man accompanies his white girlfriend’s family in the suburbs (a terrifying enough premise on its own), and everything you know (and don’t know) about horror film ensues. I’m not a fan of spoilers, though, so what follows is fairly obtuse on plot details.
Get Out is apocalyptic the same way that Revelation–and other books of the Bible–are social thrillers. The plot hinges on a systemic oppression, laden with specific and symbolic details, reaching a low point and with the hope that a protagonist can interrupt the systemic oppression, regardless of personal cost or total efficacy.
In a sense, apocalypse is a Quentin Tarantino-esque fantasy about future or past envision the triumph of the oppressed over the oppressor, resulting in the total collapse of the oppressor’s social structure. This is where our contemporary view of apocalypse comes from: the collapse of the oppressor’s social structure and all the fear that comes with losing the social order. Continue reading
[This is adapted from a sermon I preached Jan. 29]
There is an awful lot that needs to be said about Donald Trump, but I don’t want to begin there. I want to approach American politics via Jesus. And yogurt. So I begin with the Beatitudes. Many Christians think of the Beatitudes as “the New Testament Ten Commandments,” but I prefer to think of them more like “yogurt.” The Ten Commandments are, as it happens, commands. What the Beatitudes and yogurt have in common is that they are both not commands. Continue reading
This post is an excerpt from a sermon I preached Dec. 4. Find the full text here.
This Advent, I’ve heard many Christians saying how excited they are for the season of hope and comfort. After the stress of the election and the beating 2016 has given us, they ask to avoid the dark things and focus on the hope.
When I hear this, I wonder if these Christians are really want comfort or if they want stability. If they are asking to hear peace, peace when there is no peace. I wonder if these Christians are searching not for hope, but for the opiate of the masses. When spoken by the privileged, pleas of hope can sound like pleas for ignorant bliss. Let’s speak of hope, they say, because we have the luxury of choosing when we have to confront oppression.
When the people asking for hope live in middle- and upper-class comfort, it sounds like they are asking for permission to bury their heads in the sand. Continue reading
I keep a shortlist of words that are used only in church: grace, atonement, sanctification, mercy. My conviction is that they won’t make any sense, theologically, to the average Christian until these words find a place in the day-to-day of our secular lives.
Shawn Mendes’ “Mercy” caught my hopeful attention, his soulful repetition of the word becoming almost prayerful. Which would be great, if Mendes was actually having a conversation with God about the girl in question, a la Beyonce on “Sorry“: “I pray to the Lord you reveal what his truth is.” Beyonce (along with Warsan Shire’s poetry) uses the divine, like a close friend, as a dialogue partner to orient her to her next move in her relationship.
Mendes uses distorted-divine language to deify his love and assign her total power over his body, relinquishing his claim to autonomy and responsibility for his own moral compass. We’ve never seen that one before, have we, Hozier?
In about three listens, I moved from hopeful about “Mercy” to skin-crawlingly creeped out. Of course this song comes from the same imagination who sings, “I know I can treat you better than he can/and any girl like you deserves a gentleman.” I think what I deserve is a little less patronizing tone and a little more trust in my own decision-making capacity. The theological importance of mercy comes from its relationship to power. Mercy can only be bestowed by the powerful. Mercy means receiving a moment of breathing room from someone who has the power to crush you entirely. Mercy means benevolence. Continue reading
The safety pins came and went quicker than the ice bucket challenge, and were laughed off the internet stage with vitriol usually reserved for, well… Donald Trump. On Sunday morning, I saw several safety pins at church. On Sunday afternoon, my newsfeed was filled with enthusiastic condemnation of the same.
Most of my queer, trans, nonwhite friends have been vocal and insultingly bitter about safety pins. They’ve also been witty and angry. I know their response was too aggressive for the mainstream moderate (at times, abrasive to me), but I can’t help but admire them. They’re my friends, after all, I feel where their pain comes from. I admire their focused anger, all their anger, how can I fault anyone for their anger at the triumph of sociopathy, racism, et. al, you know the list by now? Let us have our anger, in social networks and in the streets, in safe and democratic and uncomfortable ways. Perhaps the source of their anger, in part, is years of being told to “be less angry” by the same people who voted for Trump. Continue reading